About the Arranger

Hi! I’m Thomas Preece. I arrange music for ukulele and English ocarina.

I grew up in the north-east of England, and I’ve been a musician since primary school, where I learned to play the cello – although to be completely honest I never really got along with it, and I’m ashamed to say that pretty much the last time I ever played it was the day of my Grade 8 exam. I always felt like I was fighting with my cello to get a sound out of it, rather than playing it: it’s a beautiful instrument, but it just wasn’t the one for me.

I first discovered the ukulele in 2006, through the work of the Ukulele Orchestra of Great Britain. I immediately took a liking to their style of musical comedy, and the wide-ranging nature of the music they played: because the ukulele is “wrong” for everything, you can use it for anything in a way that most other instruments can’t.

I eventually took up playing the uke for myself when a friend gave me a student model soprano, and told me I could keep it as long as I learned to play it. My only regret is that I didn’t start learning sooner!

The same friend introduced me to the English ocarina. If the ukulele if seen as an instrument with inherent limitations, then the ocarina even more so – it only has a range of a ninth! Yet it’s these limitations that drew me to it: I’m fascinated by the way you can take a severely limited instrument and make it do something fun, to find its boundaries and push them as far as they will go, and come up with something that no one has ever done before.

Nowadays I live in Bristol, and aside from my main work as a web developer, I play a variety of instruments. I’m most interested in the simple ones, and so I’ve chosen those as my main instruments of choice – yes I can play the guitar and the keyboards and everything else you’d expect a musician to do, but so can everyone else: playing the ukulele with musicianship and artistic intent is much less common, and so for me, much more interesting.

My hope is that these arrangements can give you a glimpse of this musical philosophy: doing something a bit different to the mainstream; playing tunes in ways that their composers would never have imagined, taking the familiar and yet doing something new with it; using simple, limited instruments, and yet doing something extraordinary with them; adapting a piece of serious music and, without trivialising it or making a joke of it, doing something fun.